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Art Shows

Time for Tea

July 31, 2021

The local community art league has an annual mid-summer extravaganza referred to as the Food Show. The title and theme of the juried competition this July was “Snack Time.” The opening reception was the first in-person event since early 2020 and was conducted with masks-up and social distancing. In mid-August, the art league plans to host its yearly gala evening called “Let Them Eat Art” where local chefs and bartenders offer food and drink inspired by the works in the gallery, and the guests vote on their favorite dish and beverage. For the Snack Time exhibit, the BRC craftsman submitted an “Herbal Tea” banjo that was accepted into the show.

Mother of pearl tea leaves of gold, green, and black flutter down the peg head and onto the fretboard. The heel of each BRC banjo is a signature location for a unique mother of pearl inlay, and a green tea leaf is situated there on this 5-stringer (below right) for the eyes only of the musician.

The entries were adjucated by a university Visual Studies faculty member who provided the Juror`s Statement:

It was a pleasure to jury the Snack show! Fortunately, artists provided me with a broad range of media and subject matter. From felting to banjos and handmade paper with blueberries, the artists in the Snack Show create a visual experience for us that ranges from quirky to gorgeous and well-crafted.

 

 

 

At the art league`s opening event pictured below, two BRC grandkids pose by their Grandpa Doc`s snack time 5-stringer. By serendipity, the BRC craftsman has exhibited 3 banjos in various art shows during this past month of July: Baroque Bur Oak, Sky Rover, and now the Herbal Tea.

During the opening ceremony, a mysterious gallery visitor apparently familiar with tea leaf readings, closely studied the mother of pearl inlays on the Herbal Tea banjo and reportedly predicted, “Better days are ahead.” Good news is always welcome.

From the BRC: Be safe, be well, be vaxed.

Art Shows

Sky Rover

July 4, 2021

Over the last 63 years, the sprawling annual Art in the Park festival has brought scores of national artists to our university town for an early summer weekend to celebrate creativity and sell their wares. This Spring, however, the June 4-6th event was again canceled for the second year in a row because of covid restrictions.

As done in 2020, entries were nonetheless accepted for the Veterans Pavilion tent. These works will be exhibited virtually on line as done last year but supplemented this season with postings on social media and a pop-up display July 17-29 in the lobby gallery of the Central Bank of Boone County, Missouri. The BRC craftsman, a former Air Force serviceman, fashioned a “Sky Rover” banjo that was accepted for the Veterans Tent art show. A life long student of military history, the BRC banjoist has an extensive collection of vintage wartime posters, many of which display bold eagle images as seen below right. The Founding Fathers adopted the eagle as the emblem of our fledgling country because of the fierce beauty and proud independence of the bird. Native Americans revere the eagle because it flies so high and is considered the avian closest to the Creator.

 

 

 

 

 

 

 

 

 

 

 

In addition to mother of pearl inlays on the peg head and fretboard of the Sky Rover, the heel of the instrument bears a signature BRC inlay for the eyes only of the musician. In an art league gallery picture below, the BRC craftsman poses with the Sky Rover while it is being photographed for the Veterans Pavilion virtual exhibit. A reception for the contributing Veteran artists is planned at the Central Bank on July 29th at the conclusion of the pop-up exhibit.


From the BRC: Have a restful and healthy Fourth of July weekend.

Art Shows

Baroque Bur Oak

June 5, 2021

Not far from the hamlet of McBaine (population 10), and just one-half mile from the Missouri River banks, stands what local citizens call “The Big Tree.” This sprawling bur oak is co-holder of the National Championship for the largest tree of its species along with a similar tree in Kentucky. The Big Tree sprouted sometime in the 1600s and is estimated to be 350-400 years old. It is located near the historic Lewis and Clark Trail, and these explorers probably gazed upon its lofty silhouette two centuries ago.

The roadside Big Tree resides on farmland owned by a sixth-generation Show-Me family. This towering oak has survived storms, lightning strikes, 6 foot deep floodwaters from Big Muddy, droughts, vandalism, and spray-painted political graffiti. Bicyclists from the nearby Katy Tail picnic under its leafy shade, and it is not unknown for clergy to contemplatively stroll beneath the mighty skyward reaching branches. Last autumn, after thieves stole its copper grounding cables, a lightning strike set the ancient tree ablaze.

The Boone County Fire Department promptly extinguished the blaze but not before the fire had burned out the core of the tree. Missourians wondered all winter whether enough of the outer nourishing cambium layer of the massive bur oak had been preserved in order to afford its survival. Copper grounding cables were reinstalled as seen below just behind the banjo.

Earlier this spring, the tree`s branches issued tiny delicate buds which soon handsomely leafed out to everyone’s joy and relief. Arborists from the University report that the ancient bur oak has been in decline for a long time but will probably outlive us all. To honor this magnificent and durable Missouri treasure, which has thrived in Heartland soil long before our nation was founded, the local Bur Oak Brewing Company produces a “Big Tree IPA.”

For the Members Only summertime exhibit at the local art league, the BRC craftsman fashioned a ” Baroque Bur Oak” banjo to celebrate the survival of the champion tree.

 

 

 

 

Amidst 90 entries of oil and watercolor paintings, sculptures, multi-media, and woodworks, the Baroque Bur Oak banjo hangs on a central gallery pillar as a learning opportunity for youngsters.

Last Sunday, the local newspaper celebrated the survival of The Big Tree on the front page.

From the BRC: Preserve our precious environment.

Art Shows

In Retrospect

May 8, 2021

For its springtime “Hindsight is 20/20” exhibit, the local art league challenged its members to submit works offering “..artists the opportunity to reflect on all that we’ve been through over the last year, together and alone; both the triumphs and the tragedies, that which we’ve lost and that which we’ve gained. What has 2020 taught you? The BRC craftsman cultivated an idea to submit a banjo that metaphorically represented the unpredictable and confusing climate of a global pandemic. Over the ages, the study of astrology has been used as a compass heading to plot, understand, or predict the course of human events. Because the novel Covid-19 virus and its mutations have regularly mystified mankind over the last year, the BRC founder fashioned a 5 stringer entitled “Not in the Stars.”

 

 

The instrument was designed on a minimalist format with some of its standard guidepost features conspicuously absent to signify our lack of understanding or control of the events around us during the last 13 or more months. The peg head and fingerboard feature zodiac signs which guided some peoples ancient and modern but are of scant utility in the post millennium era of the coronavirus infestation.

 

On the lower fretboard, a conventional inlay is absent from the 5th fret space (red arrow) which usually serves as a traditional guidepost to orient the musician to that location.

 

In the upper fingerboard, a bold landmark inlay uniformly at 12th fret space indicating the location of the octave is absent (red arrow). Only small pearly dots along the side of the fretboard identify the significant musical scale intervals for the banjoist. The 22nd (and final) fret space at the neck-pot junction is also left blank, as 2020 could be called the Year of the Information Gap.

For the eyes only of the musician, the heel of the neck (red arrow) is a routine location for a signature BRC inlay, but this personalized emblem is missing. The number 83 indicates this instrument is the 83rd banjo repaired, restored, or built in the BRC workshop. What has 2020 taught you?

A gallery visitor studied “Not in the Stars” and remarked, “Hindsight is always 20/20 in the rearview mirror.”

From the BRC: It is said that after the Plague comes the Renaissance.

Art Shows, CD songs

A Banjo Myth Dispelled

February 13, 2021

In the year 1320, Dante finished his colossal poem the Divine Commedia (Divine Comedy) which depicts his vision of the afterlife. This three-part narrative poem contains over 14K lines describing the soul`s journey through the Inferno (hell), Purgatorio (purgatory), and Paradisio (heaven). For the inaugural juried art show of 2021, the local art league tasked its members with fashioning works based on Dante`s classic literary trilogy.

Because of the allusion to “banjo hell” in many contemporary cartoons as seen below, the BRC founder studied Dante`s 9 Circles of Hell described in the Inferno verses. Misdeeds such as lust, gluttony, greed, heresy, violence, and fraud are each assigned a separate Circle in the descent into Hades, but the banjo appears nowhere in the catalogued strata of wrongdoings. Where did the satanic 5-string myth begin? Traditional fiddle tunes include such mysterious titles as “Hell Among the Yearlings” and “Devil in the Strawstack.” In the old-time fiddle favorite “Hell Broke Loose in Georgia” recorded in 1929 by Gid Tanner and His Skillet Lickers, the banjo is barely detectable.

 

Is the aforesaid infernal habitat of the banjo a misplaced appellation? To challenge this cultural and puzzling injustice to the 5-stringer, the BRC founder designed an instrument entitled “Devil`s Dream” which was accepted and exhibited in the Divine Comedy art show.

 

Devil`s Dream is a spritely fiddle tune of unknown origin which has been adapted to the banjo because of the melodic flurry of notes in its up-tempo theme. The BRC banjo builder first heard the instrumental performed by clawhammer banjoist Michael Cooney on an LP of sea chanteys recorded in 1973 by the National Geographic Society. In Ireland and Scotland, this old reel is known as “Devil Among the Tailors.”

The satanic mother of pearl imagery and molten brimstone of crushed opal on the peg head, fingerboard, and heel speak for themselves. Studying the fretboard cavalcade of skulls, a gallery visitor remarked, “Alas, poor York! I knew him…” (from Hamlet, Act 5, Scene 1).

The Devil`s Dream 5-stringer hangs amidst a field of 62 watercolor and oil paintings, sketches, sculptures, and multi-media works.

To acknowledge the misguided myth of demonizing the banjo, the ninth mother of pearl inlay traditionally stationed at the 19th fretspace on this banjo neck was treacherously moved up to the 20th fretspace on the fingerboard (above). The Ninth Circle of Hell is treachery. The heel of the banjo, a BRC signature site for a mother of pearl inlay for the eyes only of the musician, displays a skull with fiery opal eyes gazing at the banjoist (below).

In a facebook online video tour of the juried show, the art critic who judged the entries commented that the BRC craftsman was “famous” for his banjos. The art league executive director predicted this “rock `n roll” 5-stringer would sell promptly.

(Ed. Note: Is there a banjo heaven?)

 

A few years back, the BRC founder penned a ballad he called the “Fiddler`s Hymn” to nostalgically honor an elderly old-time fiddler who had passed away. This tune appeared on his first BRC album to benefit the Children`s Hospital.

 

 

The song was broadcasted on the radio as background music for a public service announcement about the pediatric medical center. Enjoy the above sound file. All music and vocals are by the author (copyright 2004).

From the BRC: Don`t fiddle around- wear a mask, practice social distancing and hand hygiene.