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CD songs, Vega Martin Stories

A Long Way & Long Neck- Vega Martin

August 15, 2020

In his high school days, the BRC founder dabbled in songwriting and performed his tunes at area talent shows. His first banjo was a Pete Seeger styled long neck that he built from parts procured at a fire sale. During his undergraduate years at a college in Massachusetts in the mid 1960`s, he performed at small venues like coffee houses, a pizza joint, and once with a rock band (the neighbors called the local constabulary to quell the noise).

Playing finger picking styles on both the banjo and guitar, supplemented with occasional harmonica, he was invited to demonstrate these techniques on the college radio station.

 

 

Attached is a sound track of the song “A Long Way” that he penned 1967 and did not recorded until 2005 when he made a CD entitled “Songs Mostly about the Heartland- a bonesetters tale” which was sold as a fund-raiser for the local Childrens Hospital. A folksy tune with lots of fun counterpoint, all the multi-tracked instruments and vocals are by the author (copyright 2006).


01 Track 01 15 (2)

From the BRC Vega Martin Mailbox:

Hi there! Thanks for a wonderfully entertaining and informative website, I have owned (for years) a Vega long neck by Martin, serial #1807. It is in excellent condition, and I have enjoyed plinking on it for 40 years. I would love to know more about it, and possibly it’s current value. I would be glad to send some photos – is there an email to which they could be sent? Again, many thanks for your efforts on the banjo world’s behalf. B.B.

From the BRC:

Dear B.B.: Thank you for your kind remarks and detailed photos of your Vega Martin long neck 5-stringer. Your banjo serial number 1807 was built by C. F. Martin in Nazareth, PA, in 1977. Although styled like the iconic “Pete Seeger” long neck design (PS-5), it is actually a “No. 2 Tu-Ba-Phone XL” model or abbreviated as T2XL in the C.F. Martin shop logbook. Per my files, the Pete Seeger model first appeared in a Vega flyer from Boston in 1961. Apparently, Seeger`s endorsement agreement with Vega was very casual.  After the sale of the Vega brand to C.F. Martin in 1970, the Seeger model appeared in the 1970 and 1972 Vega Martin catalogs but not in the 1976 catalog where it was replaced by the similar “No. 2 Tu-Ba-Phone XL” long neck. It is not clear why the gentlemanly Seeger withdrew his endorsement, but enthusiasts proffer that Pete believed the long neck banjo should stand on its own merit and not his name. C.F. Martin manufactured only 25 of the T2XL instruments, and this model was last advertised in a CFM flyer circa 1978. The No. 2 Tu-Ba-Phone XL featured appointments adopted from the Boston era Vega No. 2 banjo of yesteryear with a 3 piece maple neck, adjustable tension rod, fingerboard bound in white, and nickel-plated metal parts. The modern tube-a-phone tone ring has so-called dog bone or barbell apertures, but the #1807 banjo has vintage single hole apertures in the tone ring which is probably a left-over part from Martin`s discontinued Pete Seeger (PS-5) line. The large diameter tension rod is likely a Boston factory part inherited from the Vega inventory. 

 

The Martin Company sold the Vega brand overseas in 1979, but the franchise returned to the USA when purchased by the Deering Company in 1989. The Vega classic Pete Seeger long neck model from Boston in the 1960`s is a collector`s item and worth around $2.8K- 3.5K these days. Although a rare and beautifully crafted instrument, my estimate is that the T2XL is worth around $1.7K nowadays depending upon condition. Thanks again for your correspondence and photos enabling the T2XL story to be shared with the BRC readership. With appreciation, Barry

P.S. Although a Bluegrass picker, my daily practice banjo is an open back long neck Ode because of its mellow wife-friendly tone. 

From the BRC: Be safe, observe social distancing, keep on picking.

 

Art Shows, CD songs

Sweetest Flower of Them All

August 1, 2020

Bluebirds in the dogwood/Sing her stately praise

Jewel of the Ozarks/A floral gem bouquet

Although the dogwood is the State Tree of Missouri, the White Hawthorn Blosssom is the official Show-Me State Flower as designated by our legislature in 1923. The above couplet is the opening verse of a song about the state flower written and recorded 15 years ago by the BRC founder on his second CD album fund-raiser to benefit the local Children`s Hospital (check-out the sound file below). The bluebird is the official State avian.

For its mid summer juried show, the local Art League challenged its members to explore the theme of “Monochrome” by focusing on one color to examine its history, symbolism, and culture. The BRC founder fashioned the “White Hawthorn Blossom ” banjo to be a study of shade, tone, and tint. As a member of the rose family, the beauty of this Ozark bloom is guarded by spike-like thorns represented by pointy mother of pearl inlays on the truss rod cover and fretboard amongst the flowers. A small butterfly explores the 7th fret space.

 

There are numerous species of the White Hawthorn Blossom found throughout the Ozarks. As seen on the peg head, the flowers grow on a small tree which produces a tiny apple-like fruit, and some Missourians call the tree a “wild haw.” The blooms are often referred to as “mayflowers" because the buds unfold in May.

 

 

 

A hallmark of BRC banjos, the heel of the WHB neck has mother of pearl inlays for the eyes- only of the musician.

 

On the eve of the Monochrome exhibit opening, the WHB banjo appeared on the Art League Facebook page in a sneak preview of the show.

 

Listen closely to the below “White Hawthorn Blossom” sound file, and you will note that the bass E string on the guitar is tuned down to D. Enjoy.


” White Hawthorn Blossom” (copyright 2005).

 

From the BRC: be safe, wear a mask, keep on picking.

CD songs

Hard Times Come Again No More

March 28, 2020

A very nice lady who purchased a BRC banjo forwarded a playful “sign of the times” to our workshop offering a moment of mirth in these uncertain days which are reflected in a classic and familiar tune.

It’s a song a sigh of the weary/ Hard Times, Hard Times come again no more

Many days you have lingered around my cabin door/ Oh, Hard Times come again no more

Thank you, Stephen Foster (1826-1864) who also wrote the banjo favorite “Angelina the Baker.”

Attached is a sound file of an optimistic song written and performed by the BRC founder to help cheer us through this difficult pandemic terrain (copyright 2005). Enjoy “Show Me a Smile.”

 

One day last week, temperatures in our town climbed up to 77 degrees bathing the newly blossomed daffodils and tulips trees in sunshine. In the lake behind the BRC workshop, fish reappeared from their wintry depths to feed in the clear shallows. Joggers on the shoreline paths nodded cheerfully to standoffish dog owners waving hello while walking their pets. Neighbors chatted from afar. It was a bright spring day that whispered sometime ahead we will reemerge from these confinements and recapture our future. Meanwhile, we must “Keep on the Sunny Side of Life.”– The Carter Family

From the homefront, the BRC founder wishes our readers Peace and good health.