BRC Activities, G&F Band

Milestone & Music & Monarchs

September 10, 2021

Since its inception in 1995, the BRC banjoist`s Gainor & Friends band has entertained listeners with Bluegrass music and donated all tips to the local Children`s Hospital. The Broadway Brewery graciously began hosting our Sunday brunch jam sessions in 2009, and we are grateful to this family-friendly brewpub for its generous community spirit. After a music hiatus during the 2020-2021 pandemic months, our performances resumed in the springtime, but we are again on-hold because of delta variant issues. This summer, nonetheless, our total collections for the Children`s Miracle Network surpassed $27K. Almost three-fourths of these monies have been donated by the faithful patrons at the Brewery. We salute them all as partners in achieving this milestone, and we look forward to stepping-up on stage once more sometime soon to entertain them again. For a while, the G&F pickers (below, all vaxed) will be jamming Sunday afternoons on the back patio of the band leader’s lakeside home.

During a Spring visit, the grandkids had occasion to pause with their BRC grandfather on the brewpub stage (below) to welcome the brunch hour guests while their mom Lisa and Grandma looked-on.

The BRC craftsman is especially thankful to his daughter Lisa (pictured above) for upgrading the BRC website last month and giving its format new wings by making the content much more accessible to our faithful readership. With much appreciation, Grandpa Doc.
In the meantime, our historical Thursday night jam of 3 decades duration is currently on hiatus with the pandemic, but the Wednesday afternoon outdoor picking session in a small village nestled in the foothills of the Ozarks remains active. Last month, however, the blistering August sun not infrequently drove the above musicians into the air-conditioned basement of a nearby church.
 As the monarch butterflies migrate south to Mexico and autumn draws near, we thank all these musicians for renewing and sustaining Bluegrass music during our shared and strange journey through these unusual and shadowed times. Peace.
From the BRC: Be safe, be well, mask-up.
Art Shows

Wherever Eagles Dare

August 28, 2021

Last month, our Chicago grandkids stayed at the BRC domicile for a week in order to attend a horseback riding camp at a nearby ranch. One morning on the drive to the countryside venue, they thrilled to witness a magnificent bald eagle swoop down in front of their vehicle to seize some roadside carrion with its spikey talons.

On the weekend, the youngsters visited the Veteran`s Pavilion op-up art exhibit on display in the lobby gallery of the Central Bank of Missouri to see their grandfather`s Sky Rover banjo (for details please enter “rover” in the homepage search engine to visit the “Sky Rover & Happy 4th” posting of July 4, 2021). They studied the mother of pearl eagles on the fretboard and learned that all BRC banjos have a signature inlay on the heel of the neck for the eyes only of the musician.

The BRC craftsman is a student of military history and has an extensive collection of original vintage and contemporary posters, and many of them depict striking images of our National Bird- the bald eagle.

The Veteran`s Pavilion art show concluded at the end of July with an evening reception to honor its participating Show-Me State former members of the US Armed Forces.

From the BRC: Eat healthily, exercise regularly, get the vax.

Vega Martin Stories

Decoding a Vega Martin Deluxe

August 14, 2021

Dear BRC Mailbox: (Summer, 2021)

I have inherited a Vega 5 string banjo, and I am told by a local shop that the internal serial number is 1223 and was likely built in the 70’s. It does not have any Martin decals. The back of the peg head has a single star design reminiscent of a compass rose. The back is quite unique. It is a 6 segmented pie like design. Since I know nothing about banjos I am seeking any information that I can get. I have photos if you can provide an email address. Although Canadian, my in-laws likely bought this in Tennessee, as they were blue grass fans. Thanks much, S.B.

Reply from the BRC:

Dear S.B.,

Thank you for the detailed photos of your ornate banjo. Although your 5-stringer is a high quality circa 1977-78 instrument made of C.F. Martin parts, it is doubtful that it was assembled at the Nazareth, PA, factory. The serial number is a duplicate of a different type entry level instrument made in 1975. I have two theories about the construction of your Tu-Ba-Phone Deluxe model, and please consult my <banjorehab.com> website for the posting on Jan. 9, 2016 for details (enter deluxe in the homepage search engine). Your banjo may have been assembled overseas from inventory inherited by the Galaxy conglomerate that purchased the Vega franchise from Martin in 1979.  Around 1975, however, a few high-end banjo parts were sent to a warranty Martin repair shop in Toronto for assembly when the C.F. Martin interest in manufacturing banjos was beginning to wane.  Sometime around 1976-77, the Martin Company leased industrial floor space on Milner Ave., in Scarborough, Ontario, to transfer the manufacturing of its Vega banjo line up north, and parts were then shipped to Canada. The story then becomes a little sketchy, but some top end instruments were assembled in Ontario after banjo production reportedly ceased in Nazareth in 1977 because of a difficult luthier strike there. My guess is that your Canadian in-laws probably purchased your banjo from the Toronto or Ontario venues. Question: does the inside of the pie-sectioned resonator have a small Martin decal on it as shown on my aforesaid website posting? Thank you for sharing your instrument questions with me.

With appreciation, Barry

 

S.B. replies:
Just went to the link you mentioned. The banjo is identical, just not branded Martin inside the back. There is no label inside the banjo, nor even a shadow of one. The Scarborough assembly location would have been only a few miles from my in-laws. Thanks, S.B.

 

From the BRC: Be safe, be well, be vaxed

Art Shows

Time for Tea

July 31, 2021

The local community art league has an annual mid-summer extravaganza referred to as the Food Show. The title and theme of the juried competition this July was “Snack Time.” The opening reception was the first in-person event since early 2020 and was conducted with masks-up and social distancing. In mid-August, the art league plans to host its yearly gala evening called “Let Them Eat Art” where local chefs and bartenders offer food and drink inspired by the works in the gallery, and the guests vote on their favorite dish and beverage. For the Snack Time exhibit, the BRC craftsman submitted an “Herbal Tea” banjo that was accepted into the show.

Mother of pearl tea leaves of gold, green, and black flutter down the peg head and onto the fretboard. The heel of each BRC banjo is a signature location for a unique mother of pearl inlay, and a green tea leaf is situated there on this 5-stringer (below right) for the eyes only of the musician.

The entries were adjucated by a university Visual Studies faculty member who provided the Juror`s Statement:

It was a pleasure to jury the Snack show! Fortunately, artists provided me with a broad range of media and subject matter. From felting to banjos and handmade paper with blueberries, the artists in the Snack Show create a visual experience for us that ranges from quirky to gorgeous and well-crafted.

 

 

 

At the art league`s opening event pictured below, two BRC grandkids pose by their Grandpa Doc`s snack time 5-stringer. By serendipity, the BRC craftsman has exhibited 3 banjos in various art shows during this past month of July: Baroque Bur Oak, Sky Rover, and now the Herbal Tea.

During the opening ceremony, a mysterious gallery visitor apparently familiar with tea leaf readings, closely studied the mother of pearl inlays on the Herbal Tea banjo and reportedly predicted, “Better days are ahead.” Good news is always welcome.

From the BRC: Be safe, be well, be vaxed.

Picks

Take Your Pick

July 17, 2021

The original patent for the National finger pick was filed on July 20, 1928 by George Beauchamps and John Dopyera who jointly founded the National Guitar Company that year. This prototype finger pick was initially manufactured with only “PAT. PEND.” emblazoned on it until December 30, 1930 when the patent was approved. Thereafter, the assigned patent number 1787136 appeared on each item. There is some conjecture as to whether Beachamps or Dopyera actually designed the nickel silver alloy fingertip device, but Dopyera soon departed partnership with Beachamps to found the Dobro Company.

The rare pre-war PAT. PEND. fingerpick has since become a collectors` gem valued up to $200 a piece. During the 1960`s when the BRC banjoist was first learning to play the 5-stringer, he recalls buying these prototypical PAT. PEND. picks and wondering why no numbers were affixed to them. He discarded these items when the above abbreviated lettering finally wore away from industrious months of practicing rolls.

A life long devotee of National picks, the BRC craftsman has subsequently burnished the “NATIONAL PAT. NO. 1787136” off countless such classic items over the years. With the serial numbers displayed on them, these vintage picks are worth up to $80 apiece depending on condition. Collectors pointedly distinguish the “oval 8” version which features an oval hole in the blade, oval circles in the number 8, and a curved top to the number 3 versus a model with rounded circles forming the blade hole and the number 8, and a flat top to the number 3. These findings reportedly indicate different die castings.

With the success of the popular “oval 8” generation of items, the “NATIONAL PAT. NO. 1787136 USA” version soon appeared inscribed in traditional block print. These picks are called antiques by online marketers and valued up to $45 a piece. Collectors note that sometimes the hole in the blade is off-set from the adjacent USA, or visa visa, and this reportedly denotes different die castings. With the exception of the above PAT.PEND. photo, all of the picks pictured in this posting are from the BRC collection. Many were graciously gifted to the BRC founder by a guitar player in the Gainor & Friends band whose elderly relative had discontinued banjo playing.

New variants of the pick evolved over the years billed as modern reproductions of the original patented item, and these models were inscribed with (note script) “National PAT. NO. 1787136 NP1″ followed by a later “NP2” version. The NP1 item was available in brass, nickel silver, and stainless steel in .025 gauge. The NP2 model was available only in nickel silver and in a lighter .023 gauge. A four-pack of the latter can be purchased today for $12. There was also a NP-2B option made of brass, and a NP2-SS was made of stainless steel as seen below.

In recent years, a very plainly labeled National finger pick has appeared with a pointed blade tip (below). There is also an infrequent reference to a “National Brand” pick reportedly manufactured in Taiwan about which little else is known. In online chat rooms, banjoists are fond of the National pick series but steel guitar players- not so much.

Lastly, a definitive and scholarly history of the National finger pick line, its patent issues, and its sequential brand name owners is not available. The good news is that D`Addario Strings acquired the National finger pick franchise this Spring thus conferring a bright future for these iconic finger tip devices and the current and future musicians who will wear them.

From the BRC: Because of the paucity of accurate information on the timeline of this unique family of historic finger picks, any corrections, additions, commentary, or insights from the readership are most welcome.