Vega Martin Stories

Vega Vox V: The Vega Martin Apogee of 4 String Banjos

October 6, 2014

Vega Vox models I-IV, high end plectrum and tenor banjos, can trace their Boston beginnings back to the Jazz Age 1928 Vega catalogue. The penultimate Vega Vox V was designed for banjo wizard and consummate showman Eddie Peabody (1902-1970) in the late 1960`s.  Although the American Banjo Museum in Oklahoma City does not have a rare Vega Vox V, it has a Model IV donated by Peabody`s son George. The glitzy ” Vox-Ultra V” model first appeared in the 1972 Vega Martin catalogue as an end note on a back page devoted to “Special Models”. In the 1976 Nazareth, PA, product brochure, the Vox-Ultra V plectrum/tenor banjo occupied a full page with its photos and descriptor. IMG_0198 - Version 2

This flashy 4 stringer featured an engraved and hand-painted deep resonator with similar appointments on the peg head. It had a brass tone ring and engraved chrome armrest. The Vega Vox V sported a gold plated tension hoop and flanges bejeweled  with 24 rhinestones. Engraved mother of pearl inlays figured the fretboard, and still more rhinestones studded the rococo peg head.IMG_0200

The Vega Vox V banjo SN 130316, shown here, was manufactured 1971-72. There were only a handful of these spectacular instruments ever made, and this one was rescued from overseas in an exhausted condition in recent years.

 

It was returned stateside to be professionally and meticulously restored, and it is one of the few such marvelous relics extant.IMG_0201 - Version 2

 

 

 

 

 

 

 

 

Deering now owns the Vega brand and is contemplating re-introducing the Vega Vox banjo series. Vintage Vega Vox models I-IV  were manufactured in Boston for decades and not infrequently come-up for sale online. The Vox-Ultra V, however,  will remain an endangered species until Deering resurrects it. For a detailed history, click-on the above Vega Martin Banjo Info header and scroll down the mailbox to post (#26) for Dr. Ron`s extensive Comments, and the BRC thanks him for the historic details and photos.

 

READER QUIZ:  Can you  name the model of this banjo? Click-on the `4 Comments` immediately below regarding the 1979 (post Martin) Vega catalog cover and a banjo photo from the BRC mailbox and enjoy.

 PicturesIMG_3761

 

Cell Perches & HVO

Banjo Education: An Art Form

September 26, 2014

For decades, the BRC founder has frequented museums, art festivals, and sculpture gardens hunting for a banjo-themed statue. The long search ended this autumn at a Rocky Mountain wedding. Near the entrance of the Planet Bluegrass music park and (wedding) events center in Lyons, Colorado, quietly stands the magnificent bronze statue “Passing It Along” by American sculptor Dee Clements (click to enlarge).photo

 

This brilliant award winning artist has also done bronze performance works entitled “The Cellist” and “The Violinist”.

 

 

Banjo education has been studied in art for more than a century. Born in Pittsburg, PA, limner Henry Ossawa Turner (1859-1937) was the first Afro-American painter to gain international acclaim. The son of a mother who escaped from slavery to the North, he lived most of his life in Paris.

Tnner banjo

 

 

 

During a brief visit to Philadelphia in 1893, he painted the iconic image “The Banjo Lesson” (Hampton University Museum, Virginia). So often depicted, banjo skills are handed-down as a family tradition.

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Like Turner, Mary Cassatt (1844-1926) was born in Pittsburg and emigrated to join the Impressionists in Paris where she hoped a female artist would find greater acceptance. Her full length painting “The Banjo Lesson” (Brooklyn Museum of Art) was completed in 1893.

cassatt

 

A more intimate portrait version of “The Banjo Lesson” (Virginia Musem of Fine Arts, Richmond) was completed 1893-4 and bears her signature on the canvas. Cassatt also painted the “Girl With a Banjo” in  1893-94 which resides in a private collection.

Music instruction is an artful endeavor, and the BRC salutes all banjo teachers everywhere!

Vega Martin Stories

Bobby Joe Fenster: A Myth Unto Himself

September 12, 2014

In 1967, towards the end of the folk music revival era, C.F. Martin Co. mirthfully invented a geeky guitar endorser who they named Bobby Joe Fenster. The Vega Martin Pro-5 banjo was quietly re-deisgnated as the “Bobby Joe Fenster” model for a few years until 1972 when the tongue-in-cheek ad campaign was retired. 14372-1404361042010Yellow stickers enscripted with the BJF name were adhered to the inner rim of those Pro-5 banjo pots , and these rare birds are occasionally  sighted on eBay.

Over the intervening decades, a small mythology has evolved around this humorous footnote in Martin lore. It has been suggested that comedy actor Eugene Levy, supposedly a favorite comic of the Company  vice-president, invented a skit character named Bobby Joe Fenster, and so C.F. Martin Co. adapted this imaginary persona and name for the ads. Copyright infringement notwithstanding, there is no mention of BJF on the Wikipedia page devoted to Eugene Levy or anywhere else online. In the 2003 hilarious mockumentary film “A Mighty Wind”, Levy skillfully portrays a nerdy folksinger named Mitch Cohen. This book-wormish BJF look-alike prompted some enthusiasts to muse that the Canadian actor Levy is actually the guy in the old BJF ads, despite the photographs being taken over 35 years prior to the movie.Image

It appears Levy is not BJF, and that there was more than one model who sat for the ad photos.Bobby.Joe.Fenster

getimage (1)Look at these pictures and decide for yourself-

In the  Boston pre-Martin days, Vega banjos were endorsed by 5-string legends Pete Seeger, Earl Scruggs, and Sonny Osborne. Only the long-neck Pete Seeger model transitioned into the 1972 Vega Martin catalogue, and it was replaced by the No. 2 Tubaphone XL in the 1976 product list.

It was, nonetheless, a whimsical and endearing moment in the too-short Vega Martin banjo epoch. Although C.F. Martin now has over 80 special edition and signature model guitars, the only banjo endorsee established during the 1970-1979 VM era was the uniquely amusing and fictitious Bobby Joe Fenster. What other stringed instrument endorsee is so enshrined in mystery and shrouded by the mists of Time?

P.S. To learn more about one of the two above photo models, please click-on the below link and scroll way down to Comments(1).  Since this posting, the identifying data have been deleted from the below Lehigh University Digital Library graphic. Sorry (Ed.).

http://digital.lib.lehigh.edu/cdm4/beyond_viewer.php?DMTHUMB=0&searchworks=cat22&ptr=014210

After visiting the BRC website in the Spring of 2015, the guy in the bottom and upper left photos graciously contacted us to confirm that the data footnoted in the above link was factual. The identity of the fellow in the upper right picture remains unknown. Let`s hope that he visits the BRC website someday, and we will hear from him. Barry

BRC Events

BRC Survives Financial Summit Meeting

August 31, 2014

photoMembers of the Banjo Rehabilitation Center Executive Committee traveled from Chicagoland to an undisclosed location in mid Missouri to determine the fate of the financially uncertain BRC workshop. The leadership retreat was attended by (standing left to right) the CEO, the  CFO, Senior Vice-President of Sales, and an ex officio Member of the Board of Directors (seated foreground). Negotiations were  frank and conducted in closed session preceding and after interviews with the BRC founder. Prominent on the agenda was the recent consolidation of information under a newly designed header “Vega Martin Banjo Info”.

During a mid day nap time break  from the exhaustive meetings, the ex officio Board Member met privately with the BRC founder to evaluate the quality of workshop-rebuilt banjos (see video) as evidenced by positive buyer feedback. The twosome revisited the BRC mission to restore vintage banjos for entry level pickers at bargain basement prices and the BRC tag line: All banjos deserve a second chance.

Banjo Picking infant

 

Banjo Picking Baby Video on You Tube

 

The ex officio Board Member then reported to the Committee that the hit counter of the recently reorganized BRC website was approaching its 3rd anniversary and anticipated to log over 375K visits at the upcoming milestone. In view of successful website informatics, the newly upgraded “Vega Martin Banjo Info”  resource, and uniform customer satisfaction, the Executive Committee voted by secret ballot to allow the BRC workshop to continue for another year despite its annual revenue negative ledger. The recommendation was forwarded to the Board of Directors for its fiduciary final vote.

In gratitude for her investigative initiative, the Executive Committee elevated the ex offico Member to permanent Supervisor of Quality Assurance as the last item of new business prior to adjournment of the meeting.

 

 

 

 

 

Jamming

Yogurt and Bluegrass- a healthy mix?

August 13, 2014

As the end of summer draws nigh, the days grow quietly shorter and evening temperatures  slowly ebb. To bid farewell to the vacation season and greet the crisp nights ahead of autumn, the brewpub gang and our pickin` pals from the Ozark foothills convened for a jam session at a yogurt shop in our capital city in the shadow of the state legislative house (click to enlarge).DSC_0868

Celebrating the arrival of back-to-school days, parents and kids streamed through the shop all evening to share a family yogurt treat together and pause to enjoy the high lonesome sound of mountain music. It was a scene of Americana befitting a Norman Rockwell painting for the cover of the Saturday Evening Post. Do yogurt and Bluegrass mix? Yep, big time.