Customer service is the heart of any successful enterprise, and our VP of Sales is the heart and face of dependable after-sales service. No stranger to the BRC ethos, this sure-footed businesswoman gives all banjo customers the VIP status that they deserve.
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Untroubled by persistent quarterly negative profit margins, the Banjo Rehabilitation Center support staff cheerfully celebrates the conclusion of another fiscal year with an annual Holiday greeting card photo. Because it is a small scale enterprise, the Banjo Rehabilitation Center is not cited in the major stock indices, has no prospectus, and is unable to attract major investors for expansion into the global market.
Quality control is dogma at the Banjo Rehabilitation Center. Our young CEO takes a personal “hands-on” approach by inspecting each finished banjo. Every rebuilt instrument must be suited to both backwoods and uptown jam session picking. Although he has no formal musical training, our CEO is a role model to the BRC support staff because of his quiet commitment to banjo craftsmanship and music.
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Our young CEO pauses during a hectic day at the Banjo Rehabilitation Center. Unlike high-dollar CEO’s that you read about in newspapers, the BRC chief officer works for no salary. In his scant spare time, he daydreams of a “Banjotropolis” new society with the banjo woven into its cultural fabric. Because of the rock-bottom prices of our refurbished starter banjos, however, the BRC has never turned a profit, and the young CEO must focus on this tangible reality.
Although the banjo is considered by some to be a uniquely American musical instrument, the BRC founder has seen and appreciated its cousins in other cultures on distant continents.
In a trio of traditional Thai musicians, he enjoyed the “saw duang” which is a bowed mini banjo with a python skin head, the traditional “taphon” drum, and the “sueng” which has a wooden drum head.
As pictured along the shoreline of the upper Nile River, the BRC founder vocally echoed the tones of the lyre-like tambura to a surprised but pleased Nubian tribesman who responded, “No money,” when offered a tip by the singing American.
Made with in Missouri.